BY STEFFEN
SILVIS
Awards ceremonies are all alike at base. There are the insiderish
jibes and jokes, the forced bonhomie and backslapped greetings, the odd
unsteady presenter and failed attempts at humor and modesty from some
winners. Award evenings are one-off productions that we cast ourselves
in with defined roles of who we are and what we'll do. Yet, even with so
much that is set and rote, there are always a few wonderful,
improvisational moments that can turn an evening into an event.
The 25th Anniversary Drammy Awards suffered a few hitches in its new
venue, the Crystal Ballroom. Half the winners were missing, and some
that were there had such a long walk to the podium that their applause
was dead before they got there. There also seemed to be an unceasing
racket from the back of the house, which next year must be marked as a
"no manners" zone.
But the evening had many memorable moments: Tony Caputo accepting his
award for Peter Pan in honor of his mother who had recently
passed away; Stephen Alexander accepting his award for the musical The
Spitfire Grill looking like an escapee from 1776; Jason
Maniccia holding a cellphone up while the house yelled congratulations
to winner Deb Lund, who couldn't attend; Victoria Parker's elegant
introduction to this year's recipient of a lifetime achievement award,
Jack Featheringill; and Hand2Mouth's Jonathan Walters reminding the
house that theater is a collaborative, participatory art form that has
the power of uniting.
Among this year's presenters were Multnomah County Chair Diane Linn
(playing to a supportive house) and various media figures, as well as
the two original founders of the awards, Bob Sitton and Stephanie
Oliver.
The big winners of the evening were Oregon Children's Theater's The
Lion, The Witch and the Wardrobe, Pixie Dust's Peter Pan (both
directed by Greg Tamblyn), Hand2Mouth's Wild Child and Lakewood's
Once in a Lifetime. A few of the night's
favorites were Tony James, who won for his spooky embodiment of Judy
Garland in Triangle's Judy's Scary Little Christmas, William
Hurt for ART's Drawer Boy, and Karen Tate for her
hilarious old bag in The Tale of the Allergist's Wife.
All in all, it was an evening that served both as a milestone and as
a benchmark. If only most award ceremonies had as much character.